Publications
"Reimagining Lost Visual Archives of Black and Indigenous Resistance," Selva: A Journal of the History of Art 3 (2021).
"Imagining Insurgency in Late Colonial Peru” in Visual Culture and Indigenous Agency in the Early Americas, ed. Alessia Frassani (Leiden: Brill, 2021), 188-210.
"Forjando una historia del arte popular: Indigenismo y el arte colonial peruano," in Arte antes de la historia, ed. Marco Curatola Petrocchi, Joanne Pillsbury, and Lisa Trever (Lima: Pontificia Universidad Católica del Perú, 2020), 189-212. An edited and abbreviated Spanish translation of "Forging a Popular Art History: Indigenismo and the Art of Colonial Peru."
“Addressing Diversity and Inclusion in Latin American and Latinx Art History” (co-authored with Elena FitzPatrick Sifford), a co-edited “Dialogues” (including essays by Beatriz Balanta, Kency Cornejo, Arlene Dávila, Emmanuel Ortega, Rose Salseda, and Lawrence Waldron), Latin American and Latinx Visual Culture 1, no. 3 (2019): 60-100.
“Painting Prophecy: Mapping a Polyphonic Chicana Codex Tradition in the Twenty-First Century” (co-authored with Ella Maria Diaz), English Language Notes 57, no. 2 (2019): 22-42.
“Forging a Popular Art History: Indigenismo and the Art of Colonial Peru,” RES: Anthropology and Aesthetics 67-68 (2016-2017): 273-289.
“Decolonizing the Global Renaissance: A View From the Andes,” in The Globalization of Renaissance Art: A Critical Review, ed. Daniel Savoy (Leiden: Brill, 2017), 67-94.
** Received Association for Latin American Art (ALAA) Award for Best Article or Essay Published in Latin American Art History in 2017-2018.
Heaven, Hell, and Everything in Between: Murals of the Colonial Andes (University of Texas Press, 2016).
"Painting Beyond the Frame: Religious Murals of Colonial Peru" (digital supplement to Heaven, Hell, and Everything in Between published by MAVCOR: Center for the Study of Material and Visual Cultures of Religion, Yale University, 2016).
Pintura colonial cusqueña: el esplendor del arte en los Andes/Paintings of Colonial Cusco: Artistic Splendor in the Andes (served as editor and principal author) (Haynanka Ediciones, 2015).
"From the Jordan River to Lake Titicaca: Images of the Baptism of Christ in Colonial Andean Churches," The Americas 72, no. 1 (2015): 103-140.
"Making Race Visible in the Colonial Andes," in Envisioning Others: Race, Color, and the Visual in Iberia and Latin America, ed. Pamela Patton (Leiden: Brill, 2015), 187-212.
"Las pinturas murales de la Iglesia de San Pablo de Cacha, Canchis, Peru," Allpanchis XI.II, no. 77-78 (2014): 11-48.
"Painting Andean Liminalities at the Church of Andahuaylillas, Cuzco, Peru," Colonial Latin American Review 22, no. 3 (2013): 369-399.
** Awarded Honorable Mention for the Franklin Pease G. Y. Memorial Prize for the best article to appear in Colonial Latin American Review in 2013-2014).
