The Department of German Studies offers students a wide variety of opportunities to explore the language, literature and culture of German-speaking countries. Courses are offered in English translation as well as in German, with subjects ranging from medieval to contemporary literature and include studies of film, visual culture, intellectual history, music, psychology and women's studies. The department also offers opportunities to explore Dutch and Swedish language.
The department is home to New German Critique, a leading journal that is devoted to publishing research on German culture in the 20th and 21st centuries, with particular focus on the history and theory of literature, theatre, media, intellectual history and the graphic arts. Students also have the opportunity as part of Cornell's Study Abroad program to attend the renowned Berlin Consortium for German Studies. The department works closely with the U.S.A.-Interns program to provide qualified students summer internships with German companies and agencies. All Cornell students are eligible to apply for a Certificate in German Language Study, which formally recognizes their study beyond the third semester (GERST 2000) of German language in the Department of German Studies.
Department websiteBooks (authored):
Books (edited):
Selected Journal Articles (Peer-Reviewed)
“German Media Studies: A Critical Update.” New German Critique 150 (2023): 5–24.
“Zeitlupe: Cinematic Technique and Literary Form in the Weimar Republic.” German Studies Review 44.3 (2021): 469–488.
“Some Omissions in the Universal Library: Kurd Lasswitz and the Emergence of Science Fiction.” Monatshefte 110.4 (Winter 2018): 529–551. doi: 10.3368/m.110.4.529
“Media Archaeology, Cultural Techniques, and the Middle Ages: An Approach to the Study of Media before The Media." Seminar: A Journal of Germanic Studies 52.2 (2016): 107–133. doi: 10.3138/seminar.52.2.2
Selected Book Chapters
“What was Time Axis Manipulation?” In Friedrich Kittler: Neue Lektüren, edited by Jens Schroeter and Till Heilmann. Berlin: Springer, 2022.
“Cinema Panopticum: Wax, Work, Waxworks.” In ReFocus: The Films of Paul Leni, edited by Martin Norden and Erica Tortolani. Edinburgh, UK: Edinburgh University Press, 2021.
“Notation: From Scrolls to Scores.” In Hans Richters Rhythmus 21. Schlüsselfilm der Moderne. Würzburg: Königshausen & Neumann, 2012.
Selected Web-Based Publications
“Going Wireless in the Belle Époque.” Continent 7.1 (Spring 2018): 5–16.
“The Promise of Television.” The Promise of Cinema: German Film Theory, 1907–1933. Companion Website (October 2017).
Selected Translations
Florian Sprenger. “Environments of Experimentation and Epistemologies of Surroundings: John Scott Haldane’s Physiology and Biopolitics of the Living.” Grey Room 75 (Spring 2019): 6–35.
Timon Beyes and Jörg Metelmann, eds. The Creativity Complex. Translated by Erik Born and others. Bielefeld: transcript Verlag, 2018.
Kurd Lasswitz, “The Universal Library.” Mithila Review: The Journal of International Science Fiction & Fantasy 9 (September 2017).