Publications
Selected Publications:
- “Music for a Princess.” German 17th- and 18th-century music from the library of Princess Anna Amalia of Prussia, on the Cornell Baroque Organ. (Recorded March 2013; released August 2014, Loft Recordings).
- “Melchior Schildt and the North German Organ Art,” on the historic Raphaelis Organ at Roskilde Cathedral, Denmark. (2008, Loft Recordings).
Books:
- Keyboard Perspectives (2006-13; 2016; 2017)
- C. P. E. Bach Studies Cambridge University Press (2006)
- The Free Fantasia and the Musical Picturesque. Cambridge University Press (2001)
- Acting on the Past: Historical Performance across the Disciplines. Editor, with Mark Franko. Wesleyan University Press (2000)
Articles and Book Chapters:
- “Ghost Music, or the Otherworldy Voice of the Glass Harmonica.” Tilman Skowroneck, ed., Keyboard Perspectives VIII (2016), 1-42
- „Vereint durch den erhabenen Chor: Das ästhetisch-politische Vermächtnis von Händels Halleluja im Zeitalter der Personalunion.“ In Mehr Händel ed. Wolfgang Sandberger, [Göttinger Händel Beiträge XVI], (2015).
- “The Musical Poetry of the Graveyard.” Edinburgh Companion to Literature and Music. (forthcoming).
- “Gothic Musical Scenes and the Image of Performance.” Late 18th-Century Music and Visual Culture, ed., Cliff Eisen and Alan Davison (Turnhout: Brepols, 2017).
- “Listening for Likeness, or C. P. E. Bach and the Art of Speculation,” Early Music Vol. XLII no. 3 (2014), 347-362.
- “The Charitable Handel.” In The Power of Musick, ed. Anorthe Kremers and Wolfgang Sandberger [Göttinger Händel Beiträge XV], (Göttingen: Vandenhoeck & Ruprecht, 2014), 87-108.
- “C. P. E Bach’s Freundschaftstempel and the Portrait of Modern Life.” Die Tonkunst, (8/1, January 2014), 39-49.
- “C. P. E. Bach, Portraits and the Physiognomy of Music History.” Journal of the American Musicological Society (Volume 66 no. 2, Summer, 2013), 337-396.
- “Charlottenburg Schnitger: 1706—1931—2011.” In Keyboard Perspectives IV, 2013
- “Spielräume der Musik zwischen Konzertsaal und Open Air: Beethoven, Joe Wrights The Soloist und die Idee von urbaner Freiheit” (co-authored with David Yearsley) in Kunst —Garten — Kultur (Berlin, 2010), ed. Stefanie Hennecke and Gert Gröning (Berlin: Reimer, 2010)
- "An Enduring Monument: C. P. E. Bach and the Musical Sublime." In C. P. E. Bach Studies.
- "Haydn's London Trios and the Rhetoric of the Grotesque." In Engaging Rhetoric, ed. Tom Beghin, Sander Goldberg and Elisabeth Le Guin. Chicago University Press.
- "Carl Philipp Emanuel Bach and the Intimate Poetics of Public Music." In Patriotism, Cosmopolitanism, and National Culture: Public Culture in Hamburg 1700-1933, Peter U. Hohendahl, ed. Amsterdam: Rodopi, 2003.
- "C. P. E. Bach and the Music of Solitude." In Einsamkeit, ed. Aleida Assmann and Jan Assmann. Munich: Wilhelm Fink, 1999.
- "C. P. E. Bach's Free Fantasy and the Performance of the Imagination." In Acting on the Past.