Books
Sujetos del latinoamericanismo. Pittsburgh: Instituto Internacional de Literatura Iberoamericana. Co-edited with Héctor Hoyos and Florencia Garramuño, 2023.
Queer Latin American Voices. Weston: Katakana Editores. Co-edited with Alberto Quintero. Forthcoming, 2023.
Book chapters
“Writing about Writing Amidst the End of Worlds: An Invitation.” Post-Global Aesthetics: Twenty-First Century Latin American Literatures and Cultures. Edited by Gesine Müller and Benjamin Loy. Berlin, Boston: De Gruyter, 2022.
“Alter-regímenes escópicos. Modos de ver y de ser visto en la narrativa especulativa contemporánea.” Régimen escópico y experiencia. Figuraciones de la mirada y el cuerpo en la literatura y las artes. Edited by Alicia Montes and Cristina Ares. Buenos Aires, Los Angeles: Argus-a, 2022.
“O que há de real no virtual.” Arte e Inovação em Tempos de Pandemia. Co-authored with Ami Schiess. Edited by Rodolfo Augusto Melo Ward de Oliveira. Brasília: Universidade de Brasília, 2022.
Articles
“Cómo banalizar la deconstrucción en solo cinco pasos. Usos, ¿abusos? y potencialidades del término ‘deconstrucción’ en el presente,” Revista Luthor, Volume 53, 2022, 1-27.
“¿Puede la literatura hacer metafísica? Metafísica no-proposicional y aperturas inter-cosmológicas en ‘Meu tio o Iauaretê’ de João Guimarães Rosa,” Revista Iberoamericana, Issue 281, Volume 88, 2022, 927-38.
“Aping King Kong in Hernán Robleto’s Una mujer en la selva.” Revista de Estudios Hispánicos, vol. 58, no. 1, 2024, pp. 83-106.
“Reflexive Extractivist Aesthetics.” FORMA Journal, vol. 2, no. 1, 2023, pp. 37-69. Awarded 2024 LASA Mexico Forum Best Article in the Humanities Prize.
“Extractivism.” Handbook of Latin American Environmental Aesthetics, edited by Jens Andermann, Gabriel Giorgi, and Victoria Saramago, De Gruyter, 2023, pp. 45-65.
“Greening Mexican Cinema.” Ecocinema Theory and Practice 2, edited by Stephen Rust, Selma Monani, and Seán Cubitt, Routledge, 2023, pp. 34-51. Awarded 2024 LASA Film Studies Section Best Article Prize.
“#BertaVive: Teaching Environmental Justice through Central American Culture.” Teaching Central American Literature in a Global Context, edited by Gloria Elizabeth Chacón and Mónica Albizúrez Gil, MLA Press, 2022, pp. 315-325.
“Blackness and Racial Melodrama in 1970s Mexican Cinema.” The Lost Cinema of Mexico, edited by Olivia Cosentino and Brian Price, University Press of Florida, 2022, pp. 142-165.
“Documenting Lifestyle Migration in Anayansi Prado’s Paraíso for Sale (2011).” The Film Archipelago: Islands in Latin American Cinema, edited by Francisco-J. Hernández Adrián and Antonio Gómez, Bloomsbury Press, 2022, pp. 247-266.
“Adapting Race: El hombre de los hongos as Mex-blaxploitation.” Latin American and Latinx Visual Culture, vol. 4, no. 2, 2022, pp. 29-44.