Cornell's program in Environment and Sustainability (E&S) is guided by a single principle: understanding and resolving environmental problems requires an interdisciplinary approach.  This cross-college program supports the Environmental and Sustainability Sciences (ESS) undergraduate major available in both the College of Arts & Sciences and the College of Agriculture & Life Sciences. The ESS major provides environmental science and environmental studies curricula under one umbrella in two Cornell colleges.

ESS offers students breadth and depth in a wide range of courses pertaining to the environment and sustainability.  All students complete a set of foundation courses (Core Curriculum), after which students tailor their upper-division courses by selecting one of six concentrations.  Enough flexibility remains for students to study abroad, engage in research or pursue other opportunities offered by Cornell.

Department website

Chloe Ahmann

Assistant Professor

Publications

Books

Futures after Progress: Hope and Doubt in Late Industrial Baltimore. 2024. Chicago: University of Chicago Press.

Edited Collections

“Fieldwork Confessionals.” 2023. American Anthropologist 125(3): 623–72. (Co-edited with Ali Feser, Alix Johnson, Erin McFee, and Amy Leia McLachlan.)

“Vacancy.” 2022. Anthropological Quarterly 95(2): 241–474. 

“Breathing Late Industrialism.” 2020. Engaging Science, Technology, and Society 6: 416–590. (Co-edited with Alison Kenner.) 

Peer-Reviewed Articles

The Little Things.” 2023. Part of a peer-reviewed collection called “Hundreds for Katie.” Eduardo Hazera, ed. Anthropology and Humanism 48(2): 401.

“Fieldwork Confessionals.” 2023. American Anthropologist 125(3): 623–8. (Co-authored with Ali Feser, Alix Johnson, Erin McFee, and Amy Leia McLachlan.)

“I know I shouldn't say this, but...” 2023. American Anthropologist 125(3): 633–7. 

“Uncertainty in Motion: Rumors of a Proxy War in Late Industrial Baltimore.” 2023. Cultural Anthropology 38(3): 303–33.

Vacancy: An Introduction.” 2022. Anthropological Quarterly 95(2): 241–76. 

“Postindustrial Futures and the Edge of the Frontier.” 2022. Anthropological Quarterly 95(2): 277–310. 

“Dissociation.” 2022. Part of a peer-reviewed forum called “The Vertiginous: Temporalities and Affects of Living in Vertigo.” Daniel M. Knight, Fran Markowitz, and Martin Demant Frederiksen, eds. Anthropological Theory Commons, June 3. 

Atmospheric Coalitions: Shifting the Middle in Late Industrial Baltimore.” 2020. Engaging Science, Technology, and Society 6: 462–85.

Breathing Late Industrialism.” 2020. Engaging Science, Technology, and Society 6: 416–38. (Co-authored with Alison Kenner.)

Unbelonging: The Politics of Address.” 2020. Part of a peer-reviewed forum called "Futile Political Gestures." Galina Stjepanovic, ed. Anthropological Theory Commons, October 16. 

“Waste-to-Energy: Garbage Prospects and Subjunctive Politics in Late-industrial Baltimore.” 2019. American Ethnologist 46(3): 328–42.

“‘It’s exhausting to create an event out of nothing.’ Slow Violence and the Manipulation of Time.” 2018. Cultural Anthropology 33(1): 142–71. 

“Accountable Talk: ‘Real’ Conversations in Baltimore City Schools.” 2017. Anthropology and Education Quarterly 48(1): 77–97. 

“‘…And That’s Why I Teach For America’: American Education Reform and the Role of Redemptive Stories.” 2016. Text & Talk 36(2): 111–31. 

“Teach For All: Storytelling ‘Shared Solutions’ and Scaling Global Reform.” 2015. Education Policy Analysis Archives 23(45): 1–27.

Book Reviews

The Sustainability Myth: Environmental Gentrification and the Politics of Justice by Melissa Checker.” 2021. Political and Legal Anthropology Review 44(2): 106–8. 

Define and Rule: Native as Political Identity by Mahmood Mamdani.” 2013. Anthropological Quarterly 86(3): 927–33. 

Essays, Podcasts, and Public Scholarship

Author of “Curtis Bay Residents Deserve a Coal-free Future.” 2024. Op-ed for the Baltimore Sun, February 18.

Interviewed (by Fern Shen) for After a Century of Industrial Accidents and Toxic Exposures, Curtis Bay Residents Say They’ve Had Enough.” 2022. Baltimore Brew, December 5. 

Author of public and written testimony on the CSX coal terminal explosion. 2022. Baltimore City Council Investigatory Hearing, June 15. (Beginning at 56:30 minutes into linked recording.)

Guest (with Rasheeda Green) on “Geographies of Privilege.” 2021. Episode of Crossroads podcast, May 19.

Interviewed (by Kate Blackwood) for “Ahmann Co-edits Journal Issue on 'Late Industrialism.’” 2020. Cornell Chronicle, November 30.

Work featured on “Let it Burn.” 2020. Episode of Crossroads podcast, June 16.

Author of “Toxic Disavowal.” 2020. Somatosphere, January 20.

Interviewed (by Alize Arıcan) for “Features.” 2019. American Ethnologist, September 20.  

Author of “America’s Post-industrial Futures.” 2018. Photo essay for Sapiens. November 28. 

Interviewed (by Alexandra Vieux Frankel) for “This Was An Event.” 2018. Dialogues, Cultural Anthropology, June 19. 

Guest (with David Giles and Elana Resnick) on “Episode 8.” 2018. Conversations in Anthropology podcast, February 11.

Author (with Vincent Ialenti) of “Trump’s Slogan: More About the ‘Make’ Than the ‘Great.’” 2017. Op Ed for Sapiens. April 25.  

Author of “The Incinerator Does Not Exist: Sensory Engagement with Toxic Potentials.” 2017. Part of a series called “Sensory Engagements with a Toxic World.” Chisato Fukuda, ed. Second Spear, Medical Anthropology Quarterly, March 29. 

Author of “On Not Being Seen.” 2016. Part of a series called “Ethnographer as Advocate.” Haley Bryant and Emily Cain, eds. Anthropology News. February 17. 

Interviewed (by Diane Stopyra) for “The Great Garbage Fire Debate: Should We be Burning Our Trash into Energy?” 2017. Salon, January 2.

Author of “Curtis on the Bay: Failed Development and the Mythology of Trump.” 2016. Part of a series called “Crisis of Liberalism.” Dominic Boyer, ed. Hot Spots, Cultural Anthropology. November 30.

Recent recorded talks

Time Bomb: Two Hundred Years of Toxic Disavowal in Late Industrial South Baltimore.” 2022. Johns Hopkins University, Department of Anthropology, December 6.

Hope at the End of the World: Two Views from Late Industrial Baltimore.” 2022. University of Delaware, Department of Anthropology, October 27.

How Waste Became Renewable in Baltimore: A Cautionary Tale.” 2022. Cornell University, Atkinson Center for a Sustainable Future, May 9.

 

Verity Platt

Professor, on leave 2023-2024

Publications

Monographs

Edited Volumes

Articles:

  • “Undisciplining the University through Shared Purpose, Practice, and Place,” Nature: Humanities and Social Sciences Communications 9, no. 172 (2022), with A. Freiband et al.

  • “Ancient Relief: Terminology, Medium, Ontology”, in J. Elsner, M. Gaifman and N. Jones (eds.), Rethinking Classical Relief, Yale Classical Studies/Cambridge University Press, forthcoming.

  • “Art, Nature, and the Material Divine in Roman Landscape Painting,” in J. Powers, (ed.), Art, Nature, and Myth in Ancient Rome, exhibition catalogue, San Antonio Museum of Art. Forthcoming October 2021.

  • “Bodies, Bases and Borders: Framing the Divine in Greco-Roman Antiquity,” in R. Wood and J. Elsner (eds.), Imagining the Divine: Exploring Art in Religions of Late Antiquity across Eurasia, British Museum Press, 2021: 19–36. 

  • "Beeswax: The Natural History of an Archetypal Medium," in A. Anguissola and A. Grüner (eds.), The Nature of Art: Pliny the Elder on Materials. Brepols series on "Art and Materiality", 2021: 51–64.

    • Translated into Italian as "Cera d’api: la storia naturale di un medium archetipico," transl. C. Ballestrazzi, Journal of the Istituto universitario olandese di storia dell’arte. Forthcoming.

  • “Re-membering the Belvedere Torso: Ekphrastic Restoration and the Teeth of Time,” Critical Inquiry 46 (Autumn 2020): 49–75.

  • "Color in Ancient Religion and Ritual," in D. Wharton (ed.), A Cultural History of Color in Antiquity. Bloomsbury, 2020: 63–80.

  • “The Seal of Polycrates: A Discourse on Discourse Channel Conditions,” in P. Michelakis (ed.), Classics and Media Theory. Oxford: Oxford University Press, series on “Classical Presences”, 2020: 53–76.

  • “De l’original perdu aux séries de répliques : nouvelles approches des multiples gréco-romains,” transl. G. Mélère, invited contribution to Perspective: actualité en histoire de l’art, special issue on Multiples. 2019.2: 165–78.

  • ​"Ecology, Ethics and Aesthetics in Pliny the Elder’s Natural History," Journal of the Clark Art Institute 17, special issue on Ecologies, Agents, Terrainsed. C. P. Heuer and R. Zorach, Yale University Press, 2018. 219-42.​

  • "Orphaned Objects: Pliny’s Natural History and the Phenomenology of the Incomplete," Art History 41.3 (June 2018), special issue on The Embodied Object, 492-517.

  • "The Embodied Object," Introduction to Art History 41.3 (June 2018), special issue on The Embodied Object (co-authored with M. Gaifman), 402-19.

  • “Ex votos in the Ancient World”, in I. Weinryb (ed.), Agents of Faith: Votive Giving Across Cultures. Bard Graduate Center Gallery Publications, Yale University Press, 2018, 2-19.

  • "Silent Bones and Singing Stones: Materializing the Poetic Corpus in Hellenistic Greece", in N. Goldschmidt and B. Graziosi (eds.), Tombs of the Poets: Between Text and Material CultureOxford University Press, 2018, 21-49.

  • "Of Sponges and Stones: Matter and Ornament in Roman Painting," in N. Dietrich and M. Squire (eds.), Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity. De Gruyter, 2018, 241-78. 

  • "Double Vision: Epiphanies of the Dioscuri in Greece and Rome," Archiv für Religionsgeschichte 20.1, March 2018, 229-56.

  • "Framing the Visual in Greco-Roman Antiquity: an Introduction," in V. Platt and M. Squire (eds.), The Frame in Classical Art: A Cultural History. Cambridge University Press (2017), 3-99 (co-authored with M. Squire).

  • "Framing the Sacred,"  in V. Platt and M. Squire (eds.), The Frame in Classical Art: A Cultural History. Cambridge University Press (2017), 384–91.

  • "Framing Pictorial Space," in V. Platt and M. Squire (eds.), The Frame in Classical Art: A Cultural History. Cambridge University Press (2017), 102–16.

  • "Getting to Grips with Classical Art: Rethinking the Haptics of Graeco-Roman Visual Culture," in A. Purves (ed.), Touch and the Ancient Senses. The Senses in Antiquity, Vol. 6. Routledge (2017), 74-100 (co-authored with M. Squire).

  • "The Matter of Classical Art History”, in What’s New About the Old? Reassessing the Ancient World, special issue of Daedalus edited by M. Santirocco (Spring 2016), 5–14.

  • "The Artist as Anecdote: Creating Creators in Ancient Texts and Modern Art History," in J. Haninck and R. Fletcher (eds.), Creative Lives in the Ancient World. Cambridge University Press (2016), 274-304.

  • "Epiphanies," in The Oxford Handbook of Greek Religion, eds. E. Eidinow and J. Kindt, Oxford University Press (2015), 491-504.

  • "Agamemnon's Grief: on the Limits of Expression in Roman Rhetoric and Painting," in J. Elsner and M. Meyer (eds.), Art and Rhetoric in Roman Culture. Cambridge University Press (2014), 211-31.

  • "Likeness and Likelihood in Classical Greek Art," in V. Wohl (ed.), Probabilities, Hypotheticals, and Counterfactuals in Ancient Greek Thought. Cambridge University Press (2014), 185-207. 

  • "Sight and the Gods: On the Desire to See Naked Nymphs," in M. Squire (ed.), Sight and the Ancient Senses. The Senses in Antiquity, Vol. 4, Routledge (2015), 169-87. 

  • "Framing the Dead on Roman Sarcophagi," RES: Anthropology and Aesthetics 61/62 (Spring/Autumn 2012), 213-27.

  • "Art History in the Temple," Arethusa 43.2 (Spring 2010), 197-213. 

  • "Viewing the Past: Cinematic Paideia in the Caverns of Macedonia," in P. Cartledge and F. Rose Greenland (eds.), Responses to Oliver Stone's Alexander. Film, History and Cultural Studies. University of Wisconsin Press (2010), 285-304. 

  • "Where The Wild Things Are: Locating the Marvellous in Augustan Wall-Painting", in P. Hardie (ed.), Paradox and the Marvellous in Augustan Literature and Culture. Oxford University Press (2009), 41-74. 

  • "Virtual Visions: Phantasia and the Perception of the Divine in Philostratus' Life of Apollonius of Tyana," in E. L. Bowie and J. Elsner (eds.), Philostratus. Cambridge University Press (2009), 131-54. 

  • "Burning Butterflies: Seals, Symbols and the Soul in Antiquity", in L. Gilmour (ed.), Pagans and Christians - from Antiquity to the Middle Ages, British Archaeological Reports series, Archaeopress (2007), 89-99. 

  • "Honour Takes Wing: Unstable Images and Anxious Orators in the Greek Tradition," in Z. Newby and R. Leader-Newby (eds.), Art and Inscriptions in the Ancient World. Cambridge University Press (2006), 247-71.

  • "Making an Impression: Replication and the Ontology of the Graeco-Roman Seal Stone", Art History, special edition on Replication in Ancient Art, 29.2 (April, 2006), 233-57. 

  • "Shattered Visages: Speaking Statues from the Ancient World," Apollo (July, 2003), 9-14. 

  • "Evasive Epiphany in Ekphrastic Epigram," Ramus 31 (2002), 33-50.

  • "Viewing, Desiring, Believing: Confronting the Divine in a Pompeian House," Art History 25.1 (Feb, 2002), 87-112.

Online articles and journalism

Curated exhibitions

Anindita Banerjee

Associate Professor

Publications

BOOKS

We Modern People: Science Fiction and the Making of Russian Modernity, Wesleyan University Press, 2013. Winner of the Science Fiction and Technoculture Studies Book Prize from the University of California for “an outstanding scholarly monograph that explores the intersections between popular culture, particularly science fiction, and the discourses and cultures of technoscience.”

Science Fiction Circuits of the South and East, co-edited with Sonja Fritzsche, Oxford Peter Lang, 2018

Russian Science Fiction Literature and Cinema: A Critical Reader, Academic Studies Press, 2018

South of the Future: Marketing Care and Speculating Life in South Asia and the Americas, co-edited with Debra Castillo. SUNY Press, 2020

SPECIAL ISSUES

Comparative Literature Journal, "Socialist Anti-Racisms: connected Histories and Contested Legacies," co-edited with Gabriella Safran, 75.2 (2023)

Latin American Literary Review, "Border Environments," 48.96 (Summer 2021)

Science Fiction Studies, "Thinking through the Pandemic," co-edited with Sherryl Vint, 47.3 (November 2020)

Slavic and East European Journal, "Working Towards Equity in Slavic Studies," co-edited with Gabriella Safran, 64.4 (Winter 2020)

Slavic Review, “Geopoetics,” co-edited with Jenifer Presto, 75.2 (Summer 2016)

Slavic and East European Journal, “World Revolution,” co-edited with Jenifer Presto, 61.3 (Fall 2017)

Working Papers in Latin American Studies, “Gender, Violence, and Dislocation in South Asia and the Americas,” co-edited with Debra Castillo, Spring 2011

EDITED BOOK SERIES

Founding co-editor, Studies in Global Science Fiction at Palgrave MacMillan

EDITED JOURNAL

Former co-editor, Science Fiction Film and Television (SFFTV), Liverpool University Press

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