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“Ancient Relief: Terminology, Medium, Ontology”, in J. Elsner, M. Gaifman and N. Jones (eds.), Rethinking Classical Relief, Yale Classical Studies/Cambridge University Press, forthcoming.
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“Art, Nature, and the Material Divine in Roman Landscape Painting,” in J. Powers, (ed.), Art, Nature, and Myth in Ancient Rome, exhibition catalogue, San Antonio Museum of Art. Forthcoming October 2021.
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“Bodies, Bases and Borders: Framing the Divine in Greco-Roman Antiquity,” in R. Wood and J. Elsner (eds.), Imagining the Divine: Exploring Art in Religions of Late Antiquity across Eurasia, British Museum Press, 2021: 19–36.
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"Beeswax: The Natural History of an Archetypal Medium," in A. Anguissola and A. Grüner (eds.), The Nature of Art: Pliny the Elder on Materials. Brepols series on "Art and Materiality", 2021: 51–64.
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“Re-membering the Belvedere Torso: Ekphrastic Restoration and the Teeth of Time,” Critical Inquiry 46 (Autumn 2020): 49–75.
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"Color in Ancient Religion and Ritual," in D. Wharton (ed.), A Cultural History of Color in Antiquity. Bloomsbury, 2020: 63–80.
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“The Seal of Polycrates: A Discourse on Discourse Channel Conditions,” in P. Michelakis (ed.), Classics and Media Theory. Oxford: Oxford University Press, series on “Classical Presences”, 2020: 53–76.
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"Ecology, Ethics and Aesthetics in Pliny the Elder’s Natural History," Journal of the Clark Art Institute 17, special issue on Ecologies, Agents, Terrains, ed. C. P. Heuer and R. Zorach, Yale University Press, 2018. 219-42.
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"Silent Bones and Singing Stones: Materializing the Poetic Corpus in Hellenistic Greece", in N. Goldschmidt and B. Graziosi (eds.), Tombs of the Poets: Between Text and Material Culture. Oxford University Press, 2018, 21-49.
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"Of Sponges and Stones: Matter and Ornament in Roman Painting," in N. Dietrich and M. Squire (eds.), Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity. De Gruyter, 2018, 241-78.
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"Getting to Grips with Classical Art: Rethinking the Haptics of Graeco-Roman Visual Culture," in A. Purves (ed.), Touch and the Ancient Senses. The Senses in Antiquity, Vol. 6. Routledge (2017), 74-100 (co-authored with M. Squire).
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"Framing the Dead on Roman Sarcophagi," RES: Anthropology and Aesthetics 61/62 (Spring/Autumn 2012), 213-27.
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"Art History in the Temple," Arethusa 43.2 (Spring 2010), 197-213.
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"Where The Wild Things Are: Locating the Marvellous in Augustan Wall-Painting", in P. Hardie (ed.), Paradox and the Marvellous in Augustan Literature and Culture. Oxford University Press (2009), 41-74.
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"Virtual Visions: Phantasia and the Perception of the Divine in Philostratus' Life of Apollonius of Tyana," in E. L. Bowie and J. Elsner (eds.), Philostratus. Cambridge University Press (2009), 131-54.
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"Burning Butterflies: Seals, Symbols and the Soul in Antiquity", in L. Gilmour (ed.), Pagans and Christians - from Antiquity to the Middle Ages, British Archaeological Reports series, Archaeopress (2007), 89-99.
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"Honour Takes Wing: Unstable Images and Anxious Orators in the Greek Tradition," in Z. Newby and R. Leader-Newby (eds.), Art and Inscriptions in the Ancient World. Cambridge University Press (2006), 247-71.
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"Viewing, Desiring, Believing: Confronting the Divine in a Pompeian House," Art History 25.1 (Feb, 2002), 87-112.