Publications
Books
- Popism in Stereo: A Musical Guide to the Warhol Seventies (in preparation).
- Editor, Medieval Music in Practice: Essays in Honor of Richard Crocker (Middleton WI: American Institute of Musicology, 2013).
- Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut (Oxford and New York: Oxford University Press, 2011).
- Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig (Berkeley: University of California Press, 2006).
Articles
- "Pussy Riot: Punk on Trial," The Oxford Handbook of Punk Rock, September 2021.
- "The Politics of Punk in the Era of Trump," OUPblog, October 24, 2020.
- "I'll Be Your Mixtape: Lou Reed, Andy Warhol, and the Queer Intimacies of Cassettes," The Journal of Musicology 36, no. 4 (2019): 401-36.
- “Taking Notae on King and Cleric: The Social Worlds of Song in the Chansonnier de Noailles,” Musical Culture in the World of Adam de la Halle, ed. Jennifer Saltzstein (Leiden: Brill Academic Publishers, 2019), 121-50.
- "Sonograms of Desire, Medieval and Modern," Paragraph: A Journal of Modern Critical Theory 41, no. 1 (March 2018): 26-41.
- “Mick Jagger as Mother,” Social Text Vol. 33, No. 3 (September 2015): 75-113.
- “Synthesizing Difference: The Queer Circuits of Early Synthpop,” Rethinking Difference in Musical Scholarship, ed. Olivia Bloechl, Melanie Lowe, and Jeffery Kallberg (Cambridge University Press, 2015): 287-313.
- “The Same, but Different: Sexuality and Musicology, Then and Now,” Journal of the American Musicological Society 66, no. 3 (2013): 825-31.
- “Plumbing the Surface of Sound and Vision: David Bowie, Andy Warhol, and the Art of Posing,” Qui Parle 21, no. 1 (Fall/Winter 2012): 151-84.
- “Listening to Gender: A Response to Judith Halberstam,” Women and Music: A Journal of Gender and Culture 11 (2007): 59-64.
- “Listening to the Sirens: Music as Queer Ethical Practice,” GLQ: A Journal of Lesbian and Gay Studies 9 (2003): 433-70.
- “Monophonic Motets: Sampling and Grafting in the Middle Ages,” The Musical Quarterly 85 (Winter 2001): 644-80.
- “Re-Placing Medieval Music,” Journal of the American Musicological Society 54 (Summer 2001): 209-64.
- “Girls with Guitars and Other Strange Stories” (review article), Journal of the American Musicological Society 54 (Fall 2001): 692-709.
- “PJ Harvey’s ‘Man-sized Sextet’ and the Inaccessible, Inescapable Gender,” Women and Music: A Journal of Gender and Culture 2 (1998): 47-63
- “Et pui conmencha a canter” : Refrains, Motets, and Melody in the Thirteenth-Century Narrative Renart le nouvel,” Plainsong and Medieval Music 6 (Spring 1997): 1-16.
- “Courtly Obsessions: Music and Masculine Identity in Gottfrired von Strassburg’s Tristan,” repercussions 4 (Fall 1995): 59-85.
- “I am an Opera: Identifying with Henry Purcell’s Dido and Aeneas,” in En Travesti: Women, Gender Subversion, Opera, ed. Corinne E. Blackmer and Patricia Juliana Smith (New York: Columbia University Press, 1995): 99-131.
- “‘Rip Her to Shreds’ : Women’s Music According to a Butch-Femme Aesthetic,” repercussions 1 (Spring 1992): 19-47.
